Growth and Decay in Literature

When an author writes a business relationship, he or she takes into reflexion the qualities and attributes of their constituents in the story. allow this grapheme be the protagonist? Will that character be substantive? What will the character live on? All of this leads to authors creating characters grow in dynamic enactment. That is to say that these characters importantly switch in their admit stories; whether in growth or decay, but nevertheless, show change. In the short stories The lily-livered wallpaper by Charlotte Perkins Gilman and duomo by Raymond Carver, the characters, both known as just Narrator, go by dint of changes, in which each character adopts a new omen of view by the block up of the story. In using heavy characterization and literary elements such(prenominal) as style and symbolization these authors show how two plainly flat characters go through with(predicate) enlightenment, and on that pointfore show the transit and reveal of dynamic char acterization.\nIn the short story cathedral the narrator is first set forth as ignorant.\nHis dynamic characterization is shown through his unacceptance of the blind. His initial oral sex of view is highlighted when he states, His cosmos blind bothered me (Carver 78). This full treatment as the foundation in which the character will lastly break out of. In contrast, the narrator in The yellow(a) Wallpaper is initially exposit as sick. Her characterization is rooted in others perceptions of her, whereas in Cathedral the narrator breaks out of a role in which he has set for himself. For example, in The Yellow Wallpaper Gilman emphasizes her characters differences by better-looking them contrasting opinions. The narrators husband in the story does not believe she is actually sick, and therein lies the foundation for her change in character. The narrator describes her interior turmoil by stating, If a physician of high standing, and cardinals own husband, assures friends and relatives that there is re...